The Vanity of the Artist's Dream, 1830, oil and graphite on canvas, 35-1/8" x 29-1/2"  c. 1820-30 American painting frame; gilded carved wood; wide cove back edge, flat top edge, wide bevel to bevel sight edge, unusual frame model; molding width: 5 inches.  Period frame gifted, in part, by Gill & Lagodich to Harvard Art Museums.   “In this humorous still life, King pokes fun at popular taste and laments the plight of the arts in America. A masterful example of trompe l’oeil illusion, the painting depicts a cupboard filled with the possessions of an ambitious and well-educated but financially unsuccessful painter. Brushes, drafting tools, treatises on art, and a cast of the head of the Apollo Belvedere, the celebrated antique sculpture, are crammed in next to stacks of unpaid bills, letters from parsimonious patrons, and a “last prize” medal. Behind the loaf of bread, a fictitious news report complete with typographical errors ridicules the unsophisticated tastes of the era, and makes clear that America was a difficult place for painters like King who wanted to emulate the arts culture of Europe in the new republic: The exhibition of a Cats Skin in Philadelphia/produced TWELVE HUNDRED DOLLARS,/totally eclipsing its rival the splendid portrait/of [Benjamin] WEST by Sir T. LAWRENCE, the/later we regret to state, did not produce enough/to PAY ITS EXPENSES. OH’ ATHENS OF AMERICA.” —Harvard gallery label.

Night Feast ( Nächtliches Fest ) , 1921, oil on paper, mounted on cardboard painted with oil, mounted on board; sheet: 14 1/2 x 19 5/8 inches (36.9 x 49.8 cm); mount: 19 3/4 x 23 5/8 inches (50 x 60 cm). Custom pyramid-profile frame based on original Klee design, made by Gill & Lagodich for Solomon R. Guggenheim Museum, New York. © 2018 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn