The Beach at Villerville at Sunset, 1873, oil on canvas, 30-1/4" x 55-1/2";  c. 1880s European painting frame, gilded applied composition ornament on wood; Torn paper label verso: UNION LEAGUE CLUB/ OF BROOKLYN / Owner ... / Subject ... / Artist ... / Return to ... / Bklyn Molding width: 7-1/4” Period frame from Gill & Lagodich. "Though connected to the Barbizon group, the landscape artist Daubigny spent much of his career far from the group's favored hamlet just southeast of Paris. The painting here depicts one of his own favorite spots—the remote fishing village of Villerville on the Normandy coast. With broken, summary brushstrokes and brilliant touches of yellow and orange, he casts a dramatic expanse of beach in the rosy sunset. Daubigny's rapid painting technique and passion for capturing the fleeting effects of nature's color and light directly anticipate the art of the Impressionists."   — permanent collection label.  Painting, Gift of Walter P. Chrysler, Jr. 71.635  Chrysler Museum of Art, Norfolk, VA.

Electric Bulb, 1924, oil on board, 24" x 18-1/8". Framed by Gill & Lagodich for the Dallas Museum of Art. Custom-made replica frame, c. 1930s American Modernist molding; wide flat cassetta profile. Hand-rubbed patinated gesso finish. Molding width: 3-1/2” Painting © Estate of Stuart Davis; Dallas Museum of Art, Fine Arts Collectible Fund. 

Still Life, ca. 1640–50, oil on canvas, 33-1/16 x 43-1/16 inches, 20th-century Dutch-style ebonized carved wood molding, reverse profile, gilded sight edge. Molding Width: 6-3/4”.  Virginia Museum of Fine Arts, Richmond. Arthur and Margaret Glasgow Fund. Photo: David Stover. 

Portrait Of A Lady Holding A Rose, 1912, oil on canvas, 21-1/4 x 16-1/4 inches; c. 1895-1905 American Stanford White painting frame; gilded composition ornament over wood; attached grille design, molding width: 6-5/8”, custom-made replica frame fabricated in the Gill & Lagodich studios. Frame commissioned by the Terra Foundation for American Art. Painting, Daniel J. Terra Collection, 1999.46T  

Self-Portrait, ca. 1631, oil on panel, 6-3/16 × 4-15/16 × 1/8 in. (15.7 × 12.5 × 0.3 cm); 19th-century Dutch-style Alpine ebonized wood frame, molding width 5-12 in. Painting, gift of the executors of the Estate of Colonel Michael Friedsam, 32.784

Running Bird, 1910, watercolor, 22" x 15" Custom-made replica of early 20th-century American painting frame, gilded hand-carved wood; attr. Milch Galleries, NY maker; molding width: 3-3/4” Frame commissioned by the Petrie Institute of Western Art, Denver Art Museum.

Honey of the Hymettus, 1891, oil on canvas, 22-7/16 x 16-3/4 in. Framed by Gill & Lagodich for the DeMell Jacobsen Collection. Period American late 19th-century Gifford-style painting frame, gilded applied ornament on wood, molding width 5-5/8 in. This painting was exhibited at the 1893 Columbian Exposition, Chicago. “Philadelphia-born Sarah Dodson studied in the city before moving to France and England, where she developed her talent for imaginative historical figure painting. In this picture she references the famous honey that the bee-keepers of ancient Athens produced in the Hymettus mountains.” —Philadelphia Museum loan label. Exhibition images here: ‘American Made: Paintings and Sculpture from the DeMell Jacobsen Collection,’ Mint Museum of Art, Charlotte, NC, October 2022. This stellar exhibit is currently on view at the Dixon Gallery & Gardens, Memphis, TN, through April 16th, and thence to other museums.