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Gill & Lagodich have framed the following paintings for the North Carolina Museum of Art: Ashe-Moses Family Group, 1845; Robert Seldon Duncanson, A View in the Laurentian Mountains, near Québec, 1865: Emanuel Leutze, The Attainder of Strafford, 1849; William Merritt Chase, In the Baptistry of St. Mark’s, Venice, 1878; and Julian Alden Weir, The Black Lace Dress (Portrait of the Artist’s Wife), 1885.
Gill & Lagodich have framed the following paintings for the North Carolina Museum of Art: Ashe-Moses Family Group, 1845; Robert Seldon Duncanson, A View in the Laurentian Mountains, near Québec, 1865: Emanuel Leutze, The Attainder of Strafford, 1849; William Merritt Chase, In the Baptistry of St. Mark’s, Venice, 1878; and Julian Alden Weir, The Black Lace Dress (Portrait of the Artist’s Wife), 1885.
JULIAN ALDEN WEIR (1852–1919)
The Black Lace Dress (Portrait of the Artist’s Wife), 1885, oil on canvas, 36-1/8” x 29-1/8”. Period c. 1870s-80s American painting frame, gilded applied composition ornament on wood, molding width 7-1/8 in. Gift of Ann and Jim Goodnight, 2016.20
EMANUEL GOTTLIEB LEUTZE (1816–1868)
The Attainder of Strafford, 1849, oil on canvas, 48-1/4 x 42-1/4 in. Custom-made replica c. 1840s-50s American painting frame; gilded applied composition ornament on wood,, molding width: 5” (5-3/8” at corners.) Purchased with funds from the Art Trust Fund Endowment and the bequest of Carlyle Adams, and partial gift of Prof. William H. Gerdts and Abigail Booth Gerdts 2017.12