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With the same historical accuracy, attention to period detail and hand-craftsmanship we give all our museum framing projects, Gill & Lagodich provided 41 antique and custom-made replica frames for the pivotal Metropolitan Museum scenes in Warner Bros. 2019 movie adaptation of Donna Tartt’s Pulitzer Prize winning novel “The Goldfinch”.
We are grateful to Warner Bros. for allowing us to share selected images of our frames on the walls of their movie set recreation of the Metropolitan Museum galleries.
With the same historical accuracy, attention to period detail and hand-craftsmanship we give all our museum framing projects, Gill & Lagodich provided 41 antique and custom-made replica frames for the pivotal Metropolitan Museum scenes in Warner Bros. 2019 movie adaptation of Donna Tartt’s Pulitzer Prize winning novel “The Goldfinch”.
We are grateful to Warner Bros. for allowing us to share selected images of our frames on the walls of their movie set recreation of the Metropolitan Museum galleries.
CAREL FABRITIUS (1622–1654)
Artwork copy: The Goldfinch, 1654, satin photo paper mounted on board, 12-7/8 x 8-1/2 inches; Gill & Lagodich custom-made replica of 17th century Dutch “Goldfinch” frame in the Mauritshuis, The Hague, commissioned by Warner Bros., ebonized milled and carved wood, antiqued and patinated to period finish and look, profile matched to original molding, molding width 2-1/2 inches.
GERRIT DOU (1613–1675)
Artwork copy: Young Mother, 1658, satin photo paper on board, 29 x 21-7/8 inches. Gill & Lagodich custom-made replica frame for Warner Bros. matched to original, period Dutch style, ebonized wood (painted) outside frame, molding width: 5-1/8 inches, with added arched liner insert with dimensional “pyramid” wood detail, applied gold (painted) diminutive lambs tongue ornament along sight edge.
REMBRANDT (1606–1669)
Artwork copy: Simeon’s Song of Praise, 1631, satin photo paper on board, 24 x 18-3/4 inches; Gill & Lagodich custom-made replica frame for Warner Bros., matched to original, period Dutch style, ebonized wood, gold (painted) diminutive lambs tongue ornament sight edge, molding width 5-1/8 inches.
FRANS HALS (1582–1666)
Artwork copies: Portrait of Aletta Hanemans, satin photo paper on board, 48-3/4 x 38-3/4 inches and Portrait of Jacob Olycan, satin photo paper on board, 49-1/8 x 38-3/8 inches; Gill & Lagodich matched pair of custom-made replica frames for Warner Bros., Dutch style, reverse profile, ebonized wood with applied ripple and chatter ornament, molding width 7 inches.
ESAIAS VAN DE VELDE (1587–1630)
Artwork Copy: Winter Landscape with Farmhouse, 1624, satin paper on photoboard, 10-1/4 x 12-1/8 inches. Gill & Lagodich period 19th-century Alpine frame, ebonized gesso over wood.
JEAN SIMEON CHARDIN (1699–1779)
Artwork copy: Soap Bubbles, ca. 1733-34, satin photo paper mounted on board, 29 x 24 inches; Gill & Lagodich period 19th-century French Louis-XV-style painting frame, gilded carved wood, detailed extensive gesso repare; red bole; acanthus back edge; swept sides; pierced volutes, shells, scrolled foliage corners; pierced foliage around cartouches, shells at centers and cabochons; scrolled leaf carving at sight edge, molding width 6 inches.
REMBRANDT (1606–1669)
Artwork copy: Self-Portrait, 1669, satin photo paper mounted on board, 31-1/4 x 23-1/4 inches; Gill & Lagodich period 18th-century Dutch painting frame, ebonized wood, dimensional reverse profile, excellent museum-quality example, molding width 6 inches.
REMBRANDT (1606–1669)
Artwork Copy: The Anatomy Lesson of Dr. Nicolaes Tulp, 1632, satin photo paper on aluminum composite (dibond), 66-3/4 x 85-1/4 inches. Gill & Lagodich custom-made replica frame for Warner Bros. matched to ebonized wood frame with gilded ornament liner currently on the original “Anatomy Lesson” painting at the Mauritshuis. (Replica frame shown on the movie set and also in progress of fabrication on the G&L studios.)