Haere Mai, 1891, oil on burlap, 28-1/2" x 36", framed by Gill & Lagodich in a custom-made Primitivist frame, hand-carved mahogany with antiqued-gesso flat wood liner. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser, 1978, 78.2514.16

Good Harbor Beach, 1919, oil on canvas, 21 x 30 inches. Framed by Gill & Lagodich for the Mint Museum, period c. 1920 American Arts and Crafts painting frame, Newcomb-Macklin, New York/Chicago makers, metal-gilded hand-carved wood, molding width 5 in.

Symphony No. 1 in Gold and Green (A Mexican Symphony), 1925-1926, oil on canvas, 31-1/2 × 41 in. Framed by Gill & Lagodich for the Chrysler Museum of Art. Period American Modernist frame; patinated and aged 6-karat white gold on wood, high profile; variation is replacement of old linen liner with a 3/4” patinated gesso flat and hollow liner; molding width 3 in. “Mexican Symphony was created while Glintenkamp was living in Mexico. The painting shows multiple scenes on canvas. The sun illuminates its rays from the top left of the canvas, presenting local farmers working in their fields, and engaging with each other in their town, which dominates the left side of the canvas. The right side of the canvas alludes to the country’s native history, with depictions of masks and reliefs and pyramidal temples.”—museum description. Gift of Pamela Glintenkamp in memory of Rik van Glintenkamp © Estate of H. Glintenkamp.

"Range Riders," 1921, oil on canvas, 30-1/4" x 24-3/16". Early 20th-century American Arts and Crafts frame; hand-carved wood, Foster Bros. Boston makers, dark wood finish with gilded sight edge; Molding width: 4-1/2”  Period frame from Gill & Lagodich. Petrie Institute of Western American Art – Denver Art Museum.

Dinnertime, 1880, 21-5/8 x 15-1/16 inches, framed by Gill & Lagodich for the High Museum of Art, c. 1880s American Barbizon painting frame; gilded applied ornament on wood, bright original gilding, molding width: 6-3/8 in.